Deliberate Rest

A blog about getting more done by working less

Month: March 2016

“Our challenge is to build that wisdom into our next generations of contemplative technology”

I’m deep in revisions of the next book and am not taking the time to write at length about anything else, but I wanted to flag this Vincent Horn piece on virtual reality and Buddhism.

Buddhist contemplative traditions have, for millennia, carefully led us in the process of deconstructing our normal sense of identity and replacing it with one that’s both fluid and responsive. Our challenge is to build that wisdom into our next generations of contemplative technology.

Mind-wandering and Edge of Tomorrow

One of my favorite movies is the under-appreciated Tom Cruise and Emily Blunt movie Edge of Tomorrow, in which Cruise has to relive a disastrous battle hundreds of times— but thanks to Emily Blunt, is able to survive a little longer each time, and ultimately manages to save the day. (That would be a spoiler alert except even if you haven’t seen the movie you know that’s what’s going to happen.)

It never occurred to me to treat it as a metaphor for mind-wandering, but Paul Bloom did, in an essay in The Atlantic:

You probably aren’t living in the moment. Most people spend their leisure time in imaginary worlds—reading novels, watching television and movies, playing video games and so on. And when there isn’t a book or screen in front of us, our minds wander.

This seems to be the brain’s natural state. Neuroscientists describe the brain regions involved in mind wandering as the “default network,” so-called because it’s usually humming along, shutting down only when something demands conscious attention.

He then brings in the movie:

It takes place in a near future in which the Earth is attacked by aliens. Tom Cruise plays a public relations officer with no combat experience who ends up engaged in battle, and is promptly killed. For reasons too complicated to get into here, he finds himself in a time loop, and is reborn before the battle begins, with memories of the events leading up to his death. He is able to learn from his past experience, and so he fights over and over again, getting better each time, until ultimately he defeats the aliens. The movie’s tagline is: Live. Die. Repeat….

The experience of repeated failure is unpleasant, especially if you’re stuck in a time loop. But one can see how it would be an extraordinary power to repeatedly explore one’s options and learn from failure, with no real permanent consequences.

And this is what we do with our imagination. We use simulated worlds to prepare for the real one.

In other words, unlike distraction (which often seems similar), mind-wandering allows us to safely explore future scenarios, including unpleasant ones, and think out potential solutions or ways of avoiding them.

Anyway, Bloom’s is a nicely-done piece, and a good introduction for those who aren’t familiar with this particular advantage of mind-wandering.

Addiction, cellphone use, and depression

As someone who wrote a book called The Distraction Addiction, this new study by University of Illinois researchers Alejandro Lleras and Tayana Panova caught my eye:

Is cellphone use detrimental to mental health? A new study from the University of Illinois finds that addiction to, and not simply use of, mobile technology is linked to anxiety and depression in college-age students.

Put another way, there are a couple ways to explain the detrimental impacts of mobile technology.


One is to argue that the technology affects your brain, or social relations, no matter who you are: that any human, using this technology, will experience negative effects.

The other is to argue that the culprit is not technology per se, but addiction. (This is similar to the argument about the impacts of alcohol: a glass of wine with dinner probably won’t do you any harm, but addictive behavior and overconsumption are definitely destructive. A recent study of porn reached a similar conclusion.)


So sort this out, Lleras and Panova surveyed undergraduates about their technology use, attitudes towards technology, and their mental health. They asked questions like, “Do you think that your academic or work performance has been negatively affected by your cellphone use?” and “Do you think that life without the Internet is boring, empty and sad?”

So what did they find?

“People who self-described as having really addictive style behaviors toward the Internet and cellphones scored much higher on depression and anxiety scales,” Lleras said. However, the researchers found no relationship between cellphone or Internet use and negative mental health outcomes among participants who used these technologies to escape from boredom. Thus, the motivation for going online is an important factor in relating technology usage to depression and anxiety, Lleras said.

Or as Lleras and Panova explain in the abstract of their article (published in Computers in Human Behavior),

There were strong positive relationships between lower mental health and problematic ICT use, especially when people turned to ICTs to avoid negative experiences or feelings. However, when participants used ICTs merely to escape boredom, no link was found between ICT use and mental health problems…. Our findings suggest that long term utilization of ICTs as an emotional coping strategy may have a negative influence on mental health and/or exacerbate mental health predispositions.

In other words it’s not just the technology on its own; it’s addiction that’s the problem.

On creative lives and the art of saying “no”

One of the striking things I noticed when writing REST was how often the people I was studying said no to things, arranged their lives to smoothy avoid distractions, and were ferociously protective of their time. As Kevin Ashton notes, they say no a lot.


When Mihaly Csikszentmihalyi was writing his book on creativity, he asked 275 creative people to participate in his study. “A third of them said ‘no.’ Their reason was lack of time. A third said nothing.” Saul Bellow’s secretary wrote back, “Mr Bellow informed me that he remains creative in the second half of life, at least in part, because he does not allow himself to be a part of other people’s ‘studies.’” Peter Drucker said, “One of the secrets of productivity… is to have a VERY BIG waste paper basket to take care of ALL invitations such as yours.”

I’m not at all surprised by this. Notable creative people are highly conscious of how they spend their time; they treat it as a precious resource; and they’re always on the lookout for things that will help them be more creative.


Routines are one way to say no. I’ve been reading the new biography of James Merrill, and am struck at how when he was young, he first tried to live the bohemian life of an artiste: as Langdon Hammer puts it,

In New York, where everyone was busy and ambitious, it was easy not to get much done. When Jimmy’s day was over at the desk, there were too / many options: the opera, the San Remo, a vernissage, book parties, and more parties, which made it hard to get to the desk the next morning.

Merrill, Hammer says, quickly realized that he needed more focus in order to write. In the summer of 1948, he and a friend rented a cottage on Georgetown Island, in Maine. There, Merrill spent the summer

testing what it was like to write without the distractions of New York. He opened his diary every day and copied yesterday’s stanzas again, growing his poems by increments, establishing the laborious process of daily revision that would be his mature writing practice.

Merrill had always shown considerable literary talent, but he didn’t really take off until he realized that he could either behave like a poet, or be a poet. As he later put it, he discovered that “the life of leisure doesn’t give us a moment’s rest.”


Doing creative work, people discover, requires two kinds of focus. The first is hours to focus: time set aside to work, every day. As Chuck Close puts it, “Inspiration is for amateurs. The rest of us just show up and get to work.” Embedded in this practice is the recognition that creative work isn’t powered by lightning bolts from the Muse; if you want to really explore your craft, you need a steadier and more reliable source of energy, and you have to give yourself time. 

The second kind of focus is more of an attitude: an embrace of a specific kind of minimalism, of a life that had fewer diversions and more space to do what really matters. When James Merrill moves from New York City to the town of Stonington, Connecticut, or Charles Darwin leaves London for Down, they’re consciously looking for spaces that will buy them more time, without keeping them close enough to their professional networks to stay engaged and productive. They’re still close enough to the centers of publishing and science to stay in touch with colleagues, agents, etc., but far enough to deter casual admirers, cranks, and the like; and even their friends have to plan their visits.


But, and this is a very big BUT, what “really matters” isn’t just endless work: they’re not turning down invitations and chairmanships and speaking gigs to spend eighteen hour days in the lab or studio. In fact, even people who spend “only” about four hours a day doing what we recognize as “work” are ferocious defenders of their time.

You might think that if the bulk of your creative work was done before lunch, you’d have lot of time for committees or get-togethers. Wrong. Really creative people are just as careful about protecting time for deliberate rest. They build long walks, afternoon naps, and exercise into their routines; indeed, those routines exist partly because without them, it would be too easy to rationalize away that rest, to say yes to that little speaking engagement or reviewing that manuscript.

Creative people put work first, but they put rest a close second. They make time for both. And one reason they make that time is they see themselves as having time, because they understand how work and rest support teach other. As I explained in an earlier post, successful scientists see hobbies as another “expression of a general aesthetic sensibility about nature,” and recognize that “time relaxing or engaging in their hobbies could be valuable” to “their scientific efficiency and thus to their careers” (to quote Robert Scott Root-Bernstein and his coauthors).

Having the time for these hobbies, or for long walks, for time for the kind of mind-wandering that builds to breakthroughs, requires structuring your life in the right way. It requires routines. It requires cultivating an attitude that accepts that in order to do important things, you have to refuse to do unimportant things, even if they’re interesting. (It may require developing a reputation for irresponsibility, so people stop asking you to do things.) Finally, it requires saying no to a lot of distractions and things that would eat up that time.

Shirley Jackson on the magic of writing

From Shirley Jackson’s essay “How I Write,” publishing recently in the collection Let Me Tell You:

Once, however, when I had spent all one rainy day wrestling with my old refrigerator, whose doors tended to jam shut, my youngest daughter asked why I didn’t open it by magic.

It was a lot pleasanter to abandon the refrigerator and sit down and write a story about opening it by magic than to go on being sore at it and banging it with my first; we had to out for dinner, but course that’s all right with me anytime. The story, by the way, paid for a new refrigerator, which is certainly better than trying to open the old one without magic.

Exercise and the brains of tiny, buff rats

One of the most striking things I found when writing Rest was how many of the intellectuals, writers, scientists and mathematicians I was studying were serious athletes. Many played team sports or ran track in school and college, and even as their careers took off, time became more scarce, and team sports harder to work into their schedules, they continued to do things that were athletic and challenging. Some gave up football for swimming or tennis; others take up hiking and mountain-climbing; others go in for that version of “gardening” that involves building stone walls and plowing up tree roots.

Now, researchers have studied the effects of three different kinds of exercise— running, weight training, and high-intensity interval training— on the brain, looking particularly at the effect of exercise on neurogenesis on rats.

If you’re like me, your first question isn’t, So which type of exercise delivered the greatest benefit to the brain?

Rather, it was, Wait. How do you get a rat to lift weights and do intervals?

The New York Times explains:

Some of the animals were given running wheels in their cages, allowing them to run at will. Most jogged moderately every day for several miles, although individual mileage varied.

Others began resistance training, which for rats involves climbing a wall with tiny weights attached to their tails.

Still others took up the rodent equivalent of high-intensity interval training. For this regimen, the animals were placed on little treadmills and required to sprint at a very rapid and strenuous pace for three minutes, followed by two minutes of slow skittering, with the entire sequence repeated twice more, for a total of 15 minutes of running.

There was also a control group of rats who did nothing at all.

So what were the results?

Weight training bulked out the muscles but not the brain. In fact, rats who’d hit the weights “showed no discernible augmentation of neurogenesis,” compared to “animals that had not exercised at all.”

Rats who did interval training “showed somewhat higher amounts than in the sedentary animals,” but they weren’t the big winners.

Rather, it was the runners who showed the greatest improvements in neurogenesis.

Those rats that had jogged on wheels showed robust levels of neurogenesis. Their hippocampal tissue teemed with new neurons, far more than in the brains of the sedentary animals. The greater the distance that a runner had covered during the experiment, the more new cells its brain now contained.

Now, this was looking specifically at neurogenesis, which is important of course, but there may be benefits that weights and intervals provide that moderate cardio does not. And any kind of exercise is better than none at all.

But it does seem striking to me that the forms of exercise people in Rest gravitate towards tend to the cardio and endurance side of the spectrum, rather than strength and intensity. 

My CSCW ’16 talk on focus, mind-wandering, and connectivity

[This is a transcript, slightly cleaned up, of a talk I gave earlier today at CSCW 2016. I was asked by Gloria Mark to join a panel on constant connectivity after she read The Distraction Addiction; but rather than give a talk that summarized my earlier book, I decided to use the talk as an opportunity to draw out the connections between that project and my new book, Rest.]

When we were talking about the panel, Gloria asked us each to share a picture that illustrates our thinking about technology. I chose this one:

We all know what the device on the right is; the one on the left is a million year-old hand axe. I put these together to make the point that while we sometimes think that technologies have an alienating or dehumanizing affect on us, the opposite is actually the case. Humans have coevolved with our technologies. We and our ancestors have never lived in a world without technologies, and we wouldn’t be able to exist without them. Not only that, over the years we’ve become really good at using them to extend our physical abilities, augment our cognitive abilities, enrich our extended minds (as Andy Clark puts it)—and to enjoy doing so.

One reason today’s technologies can be so good at capturing attention, and why the stakes in being constantly connected turn out to be high, is that they’re tapping into a profound human ability, and a profoundly humanizing one: this talent for using technologies so well they feel like they’re extensions of us is one of the defining traits of our species. Some of them are designed to perform like weapons of mass distraction, and our tools for capturing and processing attention are getting better all the time; others, like email, are addicting mainly for social and organizational reasons.


So far, critics like Nicholas Carr and Sherry Turkle have mainly been focused on how device and connectivity are cleverly designed to distract us, and more generally erode our ability to focus. That can mean being more prone to distraction when trying to complete a specific task, like having cat videos distracting you from an article you need to read for work.

At another level, it can mean eroding your capacity for focus, which like willpower can be depleted, and get in the way of your ability to finish a big task, like a dissertation.


It’s easy to think that this is a new problem, and that the world used to be a less distracting place. But that would be incorrect. The history of developing tools and practices and spaces to promote our ability to control our mental states—to concentrate on a problem, to clear our minds, even relax our conscious attention—goes back to ancient times. The fact that some of the most popular tools for learning to become aware of the state of our minds, and to move from one state to another, are very old—which tells us that problems with distraction are, too.

Now, we usually talk about mindfulness and meditation, not control of mental states. Indeed, I wrote a book about how technologies can distract us, and how we can learn to use them to be more focused and mindful. But in the course of writing my new book, Rest, I realized that there was another side to our engagement with devices. They don’t just distract us, or affect our focus. They can also do a good job eroding our capacity for another, less well-appreciated mental state: mind-wandering.


This is not as well-known as focus (and it’s absolutely not the same as distraction), and in our lives we generally don’t feel it’s something worth defending as urgently. But psychologists are finding that mind-wandering isn’t just a kind of energy-saving mode for the brain: during mind-wandering we play our future scenarios, ruminate over past events, and run through possible solutions to problems that we’ve been working on—all without conscious effort, or our being aware that we’re doing it.


There even seems to be a connection between focus and mind-wandering: the more time we spend doing things that allow our minds to relax and unfocus, the deeper our capacity for intense concentration.

Shifting between these two states also helps us to be more creative. We’ve all had the experience of working hard on a problem, then having the answer appear when we’re in line at the store or out on a walk.

In my new book, I argue that creative people design their schedules and habits to support both periods of intense focus, and mind-wandering.

Being aware of our mental states, learning to control them, and understanding our own minds and work well enough to know which state we need to be in, is a great challenge. Most creative figures struggle for years to figure it out.

So how does this relate to technology and connectivity?

Learning to use tools so well that they become extensions of our minds is important for awakening this sense that we can control “the contents of our consciousness,” as William James put it. It’s why children who have time to play seem to have better focus in class. It’s why a surprising number of world-class scientists, engineers, and writers are also rock-climbers, sailors, serious musicians, or artists. It’s why in Mihalyi Csikszentmihalyi’s book Flow (if you don’t know it, read these posts) many activities in which people find that optimal state involve using technologies intimately.

So can we design to better support learning how to control our mental states, to drop into intense concentration or mind-wandering? I’m optimistic that we can.

There’s a long history of humans being confronted with new forms of distraction, then developing new techniques to deal with them. In debates about the long-term effect of digital technologies on our minds, attention spans, or sociability, people sometimes point out that Plato complained about writing competing with speech and eroding memory, and that people worried about the impact of the printing press, the telegraph, and newspaper; and the implication is that these complaints fade over time, and people simply adjust. That’s not accurate. People develop techniques to deal with new distractions. We don’t just adapt. We deliberately craft new practices.

Discovering the pleasures of focus, the virtues of solitude, the value of mind-wandering is something most very creative people do as adults, and I think our devices are in a sort of adolescence: we love the easy socialbility, and almost are ready to discover the value of being connected to our work, to engaging problems, and to our minds as well. Designing to support these forms of connection, while recognizing that the process of learning how to use and direct our own mental states is a lifelong challenge, is difficult, but possible (“ease of use” doesn’t mean “an easy life”); and learning to do it will let us help people be not just better connected but better humans as well.

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